What's Good with Ethan Glenn
A series exploring interesting people and their personal tastes.
Last year, we kicked off a new series called What’s Good, where we chat with folks in the Sprezza universe across clothing, interiors, design, food, etc. (whose taste we love, of course) about what inspires them.
It’s been on a bit of a hiatus, but we’re bringing it back in full force with monthly features.
The goal of these mini Q&As is to explore their personal preferences, how they evolve, the pieces and objects that shape their style, and so on.
Up next is Ethan Glenn, fellow Canadian and founder and creative director of Every Other Thursday. In this mini interview, we cover his tastes and preferences. Hope you enjoy, and let us know if there’s someone else you think we should feature next!
P.S. Give Ethan a follow here.
What books are currently living on your coffee table?
I have a book problem, but some of the recent additions have been a first edition of Kelly Klein’s Pools, Helmut Newton’s Portraits, and a few copies of the old A&F Quarterly from around 2000.
If you could say one thing to your younger self right now, what would it be?
Just relax; it’ll work out. You have so much time to figure it out.
What’s the last thing you bought for under $50?
A vintage Niagara Falls, Canada, tee with moose caricatures. I love vintage Canada/Toronto tees.
What’s a style rule or philosophy you always stick to, and why?
Looking put together must also be comfortable.
What’s one thing you couldn’t live without?
Music. Any and all.
Which album do you think everyone should hear at least once?
Diamond Life by Sade.
Do you have an item that captures your personal style?
The Every Other Thursday Relaxed Dress Shirt. A little oversized, the perfect shape, great fabrics and colors. The easiest thing to wear every day, no matter the occasion.
Also, a pair of classic vintage Levi’s. Straight leg, faded, and something I wear six to seven days a week. Nothing fancy.
What’s the most sentimental object you own?
I’ve got a large framed photo I took of my dad and little brother up at their farm. It’s winter, black and white, and the first frame on the roll of film, so half of it is blank. My dad has a matching copy.
It feels very special since it was such an accidental shot. I’ve only ever shot that one roll of black-and-white film, and I might not ever again.
